Excellent video, thanks for that.

I thought this remark in the comments was pretty interesting:

> Something that helps identify Vaporwave is the natural vibrato that occurs from using tape cassettes etc. I often wonder if vibrato, as an effect, gains it's ability to evoke emotion through a psychological connection with the natural vibrato of a person's wavering voice while near to crying. If so wouldn't that be a potential factor in this kind of music's popularity?

It's a good video, but I wouldn't go anywhere near as far as saying he's taking a "big steaming dump" on it. He takes pains to explain why the experience of listening to a piece (accounting for the emotions that a given piece evokes) takes ultimate priority, and the trappings of classical music theory only follow from there. To a listener it doesn't particularly matter if a piece of work is unserious, amateurish, low-effort, etc. if the emotions that it evokes are genuine, and nostalgia is a legitimate emotion to evoke, and sampling from period-appropriate music only enhances that effect.