As a demoscener, I think this cool (though maybe also a bit useless).
But the thing this highlights to me now is how weird it is that UNESCO heritage lists are per country. The design seems wholly unsuited to any sort of culture that has emerged after the invention of global communication networks such as the internet. IIRC demoscene is already recognized as UNESCO heritage in Finland and Germany, what are we going to do, go down the list of every country that ever produced more than a few demos?
I mean of course none of this matters, because there's not really any tangible benefit to one's hobby being on a list like this, but it's still kinda funky. As if culture stops at country borders.
The biggest benefit is in bringing legitimacy to preservation efforts and curation of historic records (photos, videos, data, binaries, sources) on the history of the Demoscene.
There is a large chunk of software history prior to pre-cloud services that has died in someone's hard drive, floppy, CD.
Maybe because it was tied to IP or maybe just because they didn't think much about its historic value or didn't see it as ground breaking or note worthy.
I think it's fine that some things just disappear with the sands of time. Not everything needs to be preserved.
> it's fine that some things just disappear
The thing about History in general is that we as present time people have a poor intuition of what is valuable historic data for people in a future (long time from now) time.
Today we draw conclusions from graffiti on Roman walls or Babylonian complaint records. Arguably at the time nobody would consider vandalism or customer service records worth preserving for posterity.
> There is a large chunk of software history prior to pre-cloud services that has died in someone's hard drive, floppy, CD.
Sure but I don't see how being on a UN list helps fix that. Seems to me like efforts from people behind eg scene.org, archive.org (hat tip to jscott) etc are substantially more valuable to preservation efforts than convincing some folk dance geeks who work at the UN that rotating nipple balls are also cool (which of course they are)
EDIT: To be clear, I don't mean to dismiss the effort. The entire point of the demoscene is "because we can!", so obviously this also holds for getting our hobby listed by the UN.
UNESCO has funding available to use on heritage projects, which could support the existing archive efforts.
The IA is closing in on 30 years, has UNESCO done anything to help the IA during that time?
Have they ever applied?
I don't know, but shouldn't UNESCO when marking something of significance do this kind of research, and reaching out to organizations that are trying (and have been trying) to do essentially what they want to protect?
It is a great way of spreading the word ... many small organizations don't have the man power to do "other things" (like looking up how to apply for strange grants, let alone maybe know about them).
the IA is great for hosting demos too, including running in in-browser emulation. For example see: https://archive.org/details/@deater78
GP answered why the UNESCO lists help, in their first sentence:
> The biggest benefit is in bringing legitimacy to preservation efforts and curation of historic records (photos, videos, data, binaries, sources) on the history of the Demoscene.
It's not necessarily about "effort" but perhaps more about "appearances" - it's easier to say "This history is important enough to be recognized by UNESCO: give us money to preserve it!"
Officially proclaiming it part of the Cultural Heritage of your country means you can write letters like this:
Hello, person who controls government funding for the arts! The demoscene is now a UNESCO cultural heritage property in three different countries, including ours. We are a group dedicated to (preserving/documenting/continuing) this wonderful and unique expression of the artistic urge. You should give us a lot of money to keep doing this.
...in much more polite language, and with descriptions of exactly what you'll be doing with that money, of course.
You could apply for a grant big enough for your group to take a year off your day jobs and spend it hacking the hell out of your submission for a major party. You could get a chunk of money to keep your site full of demos running. You could get the state helping to pay the expenses for the party you run.
All of these things obviously have existing ways to pay their expenses or the scene would have died off long ago, but why not add another one?
> IIRC demoscene is already recognized as UNESCO heritage in Finland and Germany, what are we going to do, go down the list of every country that ever produced more than a few demos?
Potentially, yes. Take a look at the following list and you'll see, for example, that 24 countries are listed for falconry.
https://en.wikipedia.org/wiki/UNESCO_Intangible_Cultural_Her...
> how weird it is that UNESCO heritage lists are per country.
Most things on the list are geographic (in some sense) so for those it kind of makes sense that they are country based. There are some that spans multiple countries, the largest of which that I’m aware of is Struve Geodetic Arc stretching from the Arctic to the Black Sea.
But I agree that some cultural evolutions are quite far removed from the physical space in which they happened.
If I'm trying to see how it's useful, attaching your country's identity to a cultural practice is a good first step to then fund and prop up/support said practice - while the list itself doesn't change much, you can refer to it to show the demoscene is worthwile and argue for funding/support.
> fund and prop up/support said practice
I wonder how this would look in practice in the case of the demoscene.
I feel like there was a moment in the earöy 2010s-ish when there was an interest in the demoscene as one aspect of "digital art", along with games, animation etc. Seems to have faded a bit, maybe because the focus of the demoscene shifted towards size limits where the aesthetic accomplishments can be less immidiately obvious to the uninitiated.
It's also unsuited to cultural heritage that predates the nation state or spans modern semi-arbitrary borders.
Would it help if you tried to have a demo class at a community center and could point at the UNESCO decision to get proper handling and shut down the "kids these days" arguments ?